Classical Dances in India – Important Notes PDF and Pictures

Classical Dances in India – Types of Indian Classical dances and their different forms – What is the list of Classical dances in India – important notes of classical dances – state wise classical dance forms.

Art and Culture Notes is one of the most important General Knowledge topics asked in most of the competitive exams like UPSC CSE, CDS, CAPF, CISF, SSC, FSSAI, APFC, and different State PCS Exams. This post on Art and Culture Notes which covers Classical Dances in India. These Notes are 100% Exam Oriented as major sources are The Ministry of Culture, PIB India, Museum of India, The Hindu, and Important competitive Exams Books.

Classical Dances in India

Dances of India

Dance in India has an unbroken tradition of over 2000 years. Two main divisions of its forms are classical and folk.
The Criteria for being considered as classical is the style’s adherence to the guidelines laid down in Natyashstra, which explains the Indian art of acting.

The Sangeet Natak Akademi currently confers classical status on eight Indian classical dance styles.

Classical Dances in India

Dance is a type of language that expresses through the artistic gestures and expressions of the body and It is the best way to make your body, mind, and spirit healthy.

India is a rich culture in tradition. Different cultural forms of the dance represent Indian diversity with an underlying unity that binds the people of India. Dance in India has an unbroken tradition of over 2000 years. Its themes are derived from mythology legends and classical literature. in this post, we will discuss the classical dance of India.

Also, Read Folk dances in India

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Types of Classical Dances in India

India has an old tradition of thousands of years in regard to classical and folk music and dances. Indian classical dances trace their origin from Bharat Muni’s Natyasastra and Nandi Kesvar’s Abhinava Darpan. Classical dance forms that originated and evolved in India are Bharatnatyam, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniattam, Odissi, and Sattriya.

Bharatnatyam Classical Dance

Bharatnatyam originated in Tamil Nadu and was earlier known as Daasiyattam. This dance form has been handed down through the centuries by dance teachers (or gurus) called Nattuwanars and the temple dancers called devadasis.

In the sacred environment of the temple, these families developed and propagated their heritage. The training traditionally took around seven years under the direction of the Nattuwanar who were scholars and persons of great learning.

dancer of Indian dance Bharata natyam
Image: f9photos—iStock/Thinkstock
  • Bharatnatyam is the classical dance of Tamil Nadu.
  • The music accompanying this dance is Carnatic music. It evolved out of the Devadasi system of South Indian temples. Two famous styles are Pandanallur and Tanjore.
  • Famous dancers associated with Bharatnatyam are E Krishna Iyer, Rukmini Devi Arundale, and Anna Pavlova.

Instruments used in Bharatanatyam

  • Mridangam
  • Violin
  • Veena
  • Flute
  • Talam (Nattuvangam/cymbals)

Famous Artists of Bharatanatyam

  • Balasaraswati
  • C.V. Chandrasekhar
  • Leela Samson
  • Mrinalini Sarabhai
  • Padma Subrahmanyam
  • Rukmini Devi
  • Sonal Mansingh
  • Yamini
  • Krishnamurthi
  • Malika Sarabhai

Kathak Classical Dance

Kathak means ‘to tell a story‘. This north Indian dance form is inextricably bound with classical Hindustani music, and the rhythmic agility of the feet is accompanied by the table or Pakhvaj. Traditionally the stories were of Radha and Krishna, in the Natwari style (as it was then called) but the Mughal invasion of North India had a serious impact on the dance. The dance was taken to Muslim courts and thus it became more entertaining and less religious in content. More emphasis was laid on Nritha, the pure dance aspect and less on abhinaya (expression and emotion).

Indian classical dance.  Kathak school dancer in Mughal costume.
Image: Mohan Khokar
  • Kathak is said to be derived from the word Katha, meaning the art of storytelling.
  • Famous centers are Lucknow and Jaipur. Lucknow school depicts Mughal Court etiquette, while the Jaipur school depicts stories of Rajput kings and Gods. Famous exponents are Sitara Devi, Sambhu Maharaj, Uma Sharma Shovana Narayan, etc.

Instruments used in Kathak

  • Pakhvaj
  • Tabla
  • Harmonium
  • Sarengi
  • Talam (Cymbals)

Famous Artists of Kathak

  • Bharti Gupta
  • Birju Maharaj
  • Damayanti Joshi
  • Durga Das
  • Gopi Krishna
  • Kumudini Lakhia
  • Shambhu Maharaj
  • Sitara Devi

Kathakali Classical Dance

Kathakali (Katha, “Story”; Kali, “performance”) is a highly stylised classical dance-drama form which originated in Kerala in the 17th century. This classical dance form is particularly noticed for the dancer’s elaborate costumes, towering headgear, billowing skirts, and long silver nails. Recent developments in Kathakali over the years include improved looks, refined gestures and added themes besides more ornate singing and precise drumming. Kathakali is performed regularly at festivals in temples, at cultural shows for connoisseurs and also at international events, occasionally in fusion dance experiments.

Kathakali tradional dance actor. One of the main forms of classical dance-drama of India.  Kochi (Cochin), India.  (Indian actor; Indian dance; traditional dance)
Image: © V. ZHURAVLEV/Fotolia
  • Kathakali is the classical dance form of Kerala. The word Kathakali literally means story play.
  • Kathakali is considered one of the most magnificent theatres of imagination and creativity.
  • Famous exponents of Kathakali are Vallathol Narayan Menon, Kunju Kurup, Guru Gopinath, etc.

Instruments used in Kathakali

  • Chenda
  • Maddalam
  • Chengila
  • Ilathalam
  • idakka
  • Shankhu

Famous Artists in Kathakali

  • Vazhenkada Kunchu Nair
  • Kottakkal Sivaraman
  • Kalamandalam Gopi
  • Kalamandalam Ramankutty Nair
  • Kalamandalam Vasu Pisharody

Kuchipudi Classical Dance

Kuchipudi derives its name from the village Kuchipudi (Kuchelapuram) in village Kuchipudi (Kuchelapuram) in Andhra Pradesh from where it originated. The dance drama that still exists today and can most closely be associated with the Sanskrit theatrical tradition is Kuchipudi which is also known as Bhagavata Mela Natakam. The actors sing and dance, and the style is a blend of folk and classical. Arguably this is why this technique has greater freedom and fluidity than other dance styles.

Kuchipudi performance.
Image: Vasanthakumarep
  • Kuchipudi is the classical dance form of Andhra Pradesh. Kuchipudi exhibits scenes from the Hindu epics, legends, and mythological tales.
  • Famous exponents of Kuchipudi are Lakshmi Narayan Shastri, Raja and Radha Reddy, Swapna Sundari, and Yamini Krishnamurti.

Instruments used in Kuchipudi

  • Mridangam
  • Violin
  • Veena
  • Flute and Talam

Famous Artists in Kuchipudi

  • Josyula Seetharamaiah
  • Vempati Chinna Sathyam
  • Yamini Reddy
  • Prateeksha Kashi

Manipuri

Manipuri is one of the six classical dance styles of India. It is indigenous to the state of Manipur. The root of the dance is the ancient Sanskrit text Natya Shastra. The love story of Radha and Krishna are commonly acted out in dance drama performances.

The Manipuri dance is a team performance, with its own unique costumes, aesthetics, conventions and repertoire. It is, for the most part, marked by a performance that is graceful, fluid, and sinuous with greater emphasis on hand and upper body gestures. It is accompanied by devotional music created with many instruments, with the beat set by cymbals (kartal or manjira) and double-headed drum (pung or Manipuri mrdanga) of sankirtan.

Indian classical dance.  Manipuristyle performance of ras.
Image: Mohan Khokar

Manipuri is the classical dance form of Manipur. The most striking part of Manipuri dance is its colourful decoration, lightness of dancing foot, the delicacy of abhinaya (drama), lilting music, and poetic charm. Manipuri dance is a medium of worship and delight and is essential for all socio-cultural ceremonies of the Manipuri people. Famous exponents are the Javeri sisters, Rita Devi, Nirmala Mehta, Guru Bipin Singh, etc.

The Manipuri dance was popularised throughout India when, in 1917, Rabindranath Tagore saw demonstrations of the art and brought back dance teachers to serve in his Viswa-Bharati University at Santiniketan.


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Mohiniattam Classical Dance

The theme of the Mohiniyattam dance is love and devotion to god. Vishnu or Krishna is most often the hero. The spectators can feel His invisible presence when the heroine or her maid details dreams and ambitions through circular movements, delicate footsteps and subtle expressions. Through slow and medium tempos, the dancer is able to find adequate space for improvisations and suggestive bhavas or emotions.

The basic dance steps are the Adavus which are of four kinds: Taganam, Jaganam, Dhaganam and Sammisram. These names are derived from the nomenclature called Vaittari.

The Mohiniyattam dancer maintains realistic make-up and adorns a simple costume, in comparison to costumes of other dances, such as Kathakali. The dancer is attired in a beautiful white with gold border Kasavu saree of Ker- ala, with the distinctive white Jasmin flowers around a French bun at the side of her head.

See the source image
Mohiniattamwww.nishanteacademy.in
  • This dance form originated from Kerala is a solo female dance and is known for its rhythmic and unbroken flow of body movements. Mohiniattam has the grace and elegance of Bharatanatyam and the vigor of Kathakali.
  • Famous exponents of this dance form are Kalyani Amma, Vaijayanthimala, Bharati Shivaji, and Hema Malini.

Odissi Classical Dance

Odissi, the dance form from Odisha, is supposed to be the oldest surviving classical dance form from India. Odissi is based on the popular devotion to Lord Krishna and the verses of the Sanskrit play Geet Govinda are used to depict the love and devotion to God. The Odissi dancers use their head, bust and torso in soft flowing movements to express specific moods and emotions.

The form is curvaceous, concentrating on the tribhang or the division of the body into three parts, head, bust and torso; the mudras and the expressions are similar to those of Bharatnatyam. Odissi performances are replete with lores of the eighth incarnation of Vishnu, Lord Krishna. It is a soft, lyrical classical dance which depicts the ambience of Odisha and the philosophy of its most popular deity, Lord Jagannath, whose temple is in Puri. On the temple walls of Bhubaneshwar, Puri and Konark the dance sculptures of Odissi are clearly visible.

Odissi Indian classical female dancer on white background. (Indian dancer; classical dancer; Indian dance)
Image: © GAMUT STOCK IMAGES/Fotolia
  • Odissi is one of the famous classical Indian dances from Odisha state.
  • It is a graceful and sensuous dance style and involves the tribhanga (three bends) posture.
  • The (three bends) symbolize the means to escape the limitations of the body.
  • Famous dancers of Odissi are Indrani Rehman, Sonal Mansingh, Kiran Sengal, Rani Karna, Sharon Lowen, and Myrta Barvie.

Sattriya Classical Dance

Sattriya Nritya emerged from the sanc- tum of Asom’s sattras in the latter half of the 19th century. Until the first half of the 19th century this dance style was performed in a highly ritualistic manner

by male dancers alone as the sattras had maintained certain rigid disciplines and austerities within their walls. On 15 November 2000, the Sangeet Natak Akademi recognised Sattriya Nritya as one of the classical dance forms of India. The classical rigidity, the strict adherence to certain principles, and the non-engagement of academic research on the dance form all contributed to the recognition and acceptance of Sattriya Nritya as one of the eight classical dance forms of India.

The core of Sattriya Nritya has usually been mythological stories. This was an artistic way of presenting mythological teachings to the people in an accessible, immediate, and enjoyable manner. Traditionally, Sattriya was performed only by bhokots (male monks) in monasteries

  • It is the classical dance form from Assam and created by Vaishnav Saint Sremanta Sankaradeva in the 15th century.
  • It is traditionally performed by bhokos (male monks) in monasteries, but now by females also. The dance is based on mythological themes.
  • It is performed on Assamese music called Borgeet and instruments used are Khol (drum), Talas (cymbals), and Flute.
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